Fencer, a self-defined garage opera band, has released their electrifying self-titled debut album. The Los Angeles-based trio consists of vocalist and guitarist Field Cate, bassist Scott Sauve, and drummer Cameron Sauve. Throughout the album, they explore different musical territories, and it is one fun ride. Covered in blue and entirely self-produced with mixing done by Henry Lunetta and mastering done by Zach Fisher, Fencer is an album that should definitely be on your playlist.
Fencer opens with Come On, Keep Screaming, a song that captures the essence of the entire album from the start. A rhythmic guitar riff paired with Cate’s melodic vocals was the perfect introduction to the band, and I was excited to hear what was to come. The next song Couch, was one that quickly became a favorite, taking the stylings of early 2000’s pop punk. Following this, the album takes a grungier turn with a cover of Morphine’s Buena, adding personal touches that makes their version sound unique.
Towards the middle of listening, the album takes a more laid-back approach, with the acoustic Fishfriend seemingly being an ode to a loved pet and Sanitarium having a raw and personal touch. Joseph Courtney, a single that was released in November, is a narrative that follows a young boy to adulthood.
Bad Bet ends the album on a personal note, with the lyrics speaking about having Borderline Personality Disorder. Overall, Fencer’s debut album is a strong one, with not one dull moment throughout. I hope to see more of the band’s endeavors this year, for they have gained one more fan.
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